Ope O is a Londoner developing his career as a street photographer. Primarily he uses Nikon DSLR’s along with a Fuji X100 but over the last two years he’s been exploring the rapidly expanding and developing world of iPhoneography in tandem with his iPhone 4S. With this in mind we here at Shadows & Light decided to track down Ope O & interrupt him for a short while from his all important work at London 2012 as part of the Olympic Broadcasting Services (OBS) operation.
Before we begin here’s a taste of some of Ope’s recent iPhoneography and you can see his work from the London Olympics under his greatarsenal tag that’s happening on Instagram this very moment…
S&L. I’ve been following your work for some time both on Instagram and Facebook so it’s great to have the chance for a more in depth talk.
OO. That’s good.
S&L. Let’s start by me asking what it is about iPhoneography that makes it so appealing to you as a photographic tool apart from just the ease of use and ability to remain relatively unseen?
OO. The quality of the photos is quiet impressive for a mobile phone. It’s easy to operate. Plus I often get questioned on instagram about what I’m using to take pictures, some people are amazed to find out its an iPhone.
S&L. When you first started looking at iPhone photography and camera apps what led you to Instagram rather than, say Hipstamatic?
OO. Not many people were talking about it but I first heard about Instagram through social media.. And I decided to give it a ago after hearing more. I didn’t know about any other photography apps at that time as I was using an iPod touch then.
S&L. What other camera apps have you tried & what do you think of them?
OO. I’ve tried quiet a few including Camera +, VSCO Cam, Vintage Cam, Slow Shutter Cam and more. I’ve also gone through a lot of editing apps. I’ve still kept a few of these apps because each of them have different functions which I’m still interested in using, mostly to enhance the pictures I post on Instagram.
S&L. I can see from your iPhone that you sometimes use a lens type attachment to enhance the existing lens. Tell me about it & why you like it?
OO. I use a fisheye lens attachment occasionally. I really like the warped effect it gives to certain pictures. I would usually use it in tube stations where they have the long walk/pathways
S&L. Why have you stuck with Instagram or are you just a loyal customer?
OO. In my opinion Instagram is the best way for me to share photos on a mobile device, I tend to get a lot of feedback from other users and this motivates me to keep posting and also keeps my profile up out there.
S&L. So would you say it’s the not just the app that works for you but the whole Instagram platform?
OO. Yeah, definitely.
S&L. You’ve mentioned that you feel iPhoneography is going to become a big thing in the immediate future. Can you elaborate?
OO. I tend to use all aspects of the app, sharing through Twitter and Facebook, etc. I’m always looking for ways to improve and with the current rise in iPhoneography there are plenty examples that I can learn from. A lot of pro photographers are starting to use this method in their work while others have won awards for it. I feel that these are the reasons it’ll become a bigger thing in the future which can only get better as the years go by.
S&L. Don’t you think though that in your pro-practice you’ll have problems convincing a client to accept & thus pay for images generated on a phone? Will they take you/us seriously? Wont they argue that they could do it themselves & therefore the value of your work & what you can charge for it may be debased?
OO. Yes, I think those problems will always be there. There are still people unaware of the full scale of what can be achieved through iPhoneography. It isn’t just the picture, it’s the editing process which can boost your image to the point where it doesn’t even look like it was shot on an iPhone. It can only get better and when people start realising that, they’d start to give more time and effort to it and it will increase in value.
S&L. And with all cameras good ones are never cheap and as pro’s we’re always under pressure to have the latest hardware and software and know how to use it.
OO. Too true!
S&L. I’ve successfully printed out iPhone shots created with Hipstamatic & Instagram full frame onto A3 and had some re-produced in print. Have you tried printing images that you’ve generated in this way? What do you think of the results & what size prints have you made?
OO. I haven’t actually printed out any of my iPhone generated shots. It’s something I’ve thought about doing a couple of times but never got round to it so it’s high on my list.
S&L. Do you think that dedicating just to Instagram is going to limit your scope of action?
OO. I don’t think so, everyone should know about it now. It currently has over 80 million users making it the number 1 camera app and I feel it’ll keep getting better with various updates. Plus they’re now integrating the use of other camera/editing apps with instagram making things easier.
S&L. Earlier you said that the iPhoneographer can pass by relatively unnoticed, does that take us back to the way in which people like Cartier-Bresson worked & the need to forever be on the lookout for the perfect moment?
OO. Yeah, it does quite a lot. When photographing people on the street I often wait to get that one shot. I’ll take more than two at least before I’m happy with what I’ve got.
S&L. As you develop your own following under the soubriquet ‘greatarsenal‘ do you see this as a purely a profile raising and marketing exercise or do you feel that it helps bring in commissions for your iPhoneography per se?
OO. When I started with Instagram, I never really thought I’d gain as much attention from it because it was just a hobby, so choosing my name wasn’t really that important for me. I’ve chosen to stick with it now as I’ve been a user for quiet a while and that’s what many other users know me as. However my Instagram profile cross-references to me as Ope O and so to my website & Facebook profile. It all ties in really.
S&L. So my final question has to be to ask where you find the quotes that tend to accompany your Instagrams?
OO. (smiles) Well, it’s like this really; I don’t really plan any of my Instagram shots, if I see something that I like and I could make a good image out of it I’ll shoot it, edit the shot, find a suitable quote (usually from brainyquote.com) then post it.
S&L. Ok Ope, many thanks for your time, I’d better let you get back to your work on the London Olympics.
The techie stuff: iPhone 4S, Instagram
All images © Ope O
The web links:
And the closing shot…